[2023]
Wine label for a Terra Torre, a red wine from Chianti, Tuscany. The vineyards are farmed organically and in the cellar, no added chemicals, additional intervention, or filtration play a role in vinification.

Thanks a lot to Bob and Isabella for asking me to work together with them on this project.

Pictures by Isabella van Marle.
Produced by Buondonno, available at twee prinsen, binnenvisser, and calisto.


[2023]
Identity, website, and poster series for hotel/restaurant calisto.

Picture by Samira Kafala


[2023]
Visual for ‘Animal Politics—Call for Application’,
for Sandberg Research.

[2023]
Graphics for Raven Artson’s new album ‘Transformia’.
→ pre-order vinyl.
→ watch music video.

Pictures of Raven’s show at the Melkweg by Sam Morsink


[2023]
Posters for binnenvisser.

A2 silkscreen, printed by Terry Bleu.


[2022/2023]
Posters for Twee Prinsen.
*See also: the fairly fermented mix series curated by local DJs who each inspired their selection on one particular wine.

A2 silkscreen, printed by Terry Bleu.


[2022/2023]
Graphic design for Sophie Straat’s new Album ‘Smartlap is niet dood’.

Photo by Lucca Roelvink, assisted by Loulou van Staaveren


[2022]
Poster, flyer, and exhibition signage for De Jacht—an exhibition curated by Jean-Michel Mabruki Mussa at Galerie de Schans, Warmoesstraat 67.

Riso printed by Terry Bleu in an edition of 150.




[2022]
Clothing tag and identity for Jules ten Velde.


[2022]
This past spring I made the first poster for 2 Worlds, 1 Sound—a musical event consisting of several gigs highlighting the seven largest non-Western immigrant groups in Amsterdam, organised by Radio TNP. For this first event, focusing on Indonesia, they invited Derozan and Krishna Sutedja to collaborate on a hybrid performance of both acoustic and electronic music. Soon more gigs will follow, stay tuned!


[2023, update]
A successive gig, focusing on Marocco, with Hamza Amrani & Inezgane Records—guiding us from North to South through a wide range of local music—combining the Ud with electronic sounds in a complementary way.

[2022–present]
flyers for Paro Store’s events.

[2022]
Poster for Green Screens pt.2—a screening series organized by Callum on ecology, environment, and cinema at the Sandberg Institute.

A2 silkscreen.


[2022]
Alternative cover for
The Plot Against America — Philip Roth

[2021]
Publication design for the exhibition Shameless by Bas van Beek at The Wolfsonian–FIU, Miami. Organized in collaboration with Het Nieuwe Instituut, Rotterdam.

Offset printed by Shapco Printing Minneapolis in an edition of 6000.


[2021]
Poster for Green Screens—a screening series organized by Callum on ecology, environment, and cinema at the Sandberg Institute.

A2 silkscreen.


[2021]
A wedding invitation for Ellen & Jan.

A6 silkscreen.


[2021]
Over the past few months, Vera and I have been working on rawcooked magazine. This spring our 1st issue on planting leafy kale and cabbage came out.

Offset printed at Drukkerij Raddraaier in an edition of 250, folded A2.

*rawcooked is a periodical culinary magazine that investigates one specific local and seasonal product in each edition—from how it is farmed in Dutch soil, to how it is harvested, sold, and plated. The magazine portrays this topic through art, writing, and recipes: essays on consumption and perception; everyday recipes; articles on preservation; recommendations, tips, and tricks; poems inspired by it and art comprised of it; interviews with chefs; and sharing the voices of the farmers who make it all possible.
Order a copy via email, or find one in San Serriffe.

[2020/2021]
Cover for selected excerpts of
The Weight of the World — Peter Handke

[2020]
Alternative cover for Chansons Pour Elle — Verlaine

[2020]
Alternative cover for
Selected Poems & Letters of Emily Dickinson

[2020]
Logo for the podcast Seks in tijden van corona

[2020]
Alternative cover for The Outsider — Camus

Selected 2019
Selected is an exhibition, curated by Public Rietveld, where each year nine graduates get the opportunity to show their graduation work outside of the academy.
    In 2019, I was asked to do the graphic design of the publication, the online publicity, and the information inside the exhibition space. That year the exhibition took place at Looiersgracht 60.

Offset printed at Drukkerij Kaboem in an edition of 300, A4.


[2019]
You've got to play the cards you're dealt*
Conversations on typographic choices

Riso printed at Drukkerij Kaboem.


[2019]
Signage for the Rietveld & Sandberg Library
    *In collaboration with Sissel Vejby Møller

[2019]
2 posters, made in collaboration with Stepan Lipatov, for a lecture by Studio Hammer at the Gerrit Rietveld Academy.

A2 Riso print.


[2018]
A collection of six booklets, responding to Sketchbook by Emilie Ding, as a result of an assignment to redesign one of The Most Beautiful Swiss Books from 2017, given by Julia Born during the Rietveld Zürich 6-weeks residency.
    In her book, Emilie Ding takes images of modernist architecture and uses them to create her own visual narrative through composition. This series of booklets documents and treats printed matter in a similar way as she treats architecture in her book; by capturing details, recontextualising, zooming in, cropping and moving the content around to create a new narrative.
    Each booklet consists of either text or image excerpts from different sources found in the city: the Tages-Anzeiger—a Zürich newspaper—from Tuesday 25.09.18.; a BMW-manual from 2005; and the Oasis fan-magazine uncut presents: Oasis from 2002.
    * In collaboration with Klara Graah

[2019]
General General Dull Dull Dull and the Humdrum Ho Hum Commonplace
A lexicon of a work by Simon Becks or an attempt to catalogue a work through words.
    Descriptions with a * are written by Simon Becks.

[2018]
A Culture of Order
A publication consisting of stereotypes in history writing on Dutch design, landscape and mentality.

“Nation-building concerns the ‘soft’ aspects of state consolidation such as the development of a common national identity among the inhabitants through symbols, propaganda, history writing, and the cultivation and ‘invention’ of traditions and national customs.”
    — The Sustainability of De Facto States, Pål Kolstø, University of Oslo, 2008


[2018]
Alternative cover for Madness & Civilization — Foucault

[2018]
Alternative cover for Lolita — Nabokov

“Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.” — page 11

[2016]
Pamphlets for Flatplant—a performance evening at de Wittestraat.

A3 silkscreen.


[2016]
Poster for an online exhibition at Parc de Torreblanca with works by Milena Anna

A2 silkscreen.


[2016]
This is a brief history of the Phoenician alphabet and an introduction to its subsequent alphabets. The first step of the assignment was to make a keynote presentation for the optional subject, the second was to translate the presentation into a publication.

[2016]
A quick assignment, by Floor Koomen and Paul Kooiker, to make an A5 zine with black and white images on one subject. I’ve juxtaposed a collection of paintings that depict writing and reading.

[2016]
A poster I’ve made for an assignment from Elizabeth Klement: each person in class got assigned a different building to make a poster for. I was happy to get De Flesseman on the Nieuwmarkt because I noticed it’s pretty, yellow facade each time I passed by.

De Flesseman, Nieuwmarkt 77, Amsterdam

Built in the years 1927–1930 by J. Roodenburgh, Hendrik Wijdeveld. New facade and refurbishment by Guido van Overbeek.

[2015]
Publication based on my image archive